Friday, 6 September 2024

Mussolini: His Part in My Downfall


Spike Milligan Mussolini: His Part in My Downfall (1978)
The fourth of Spike's war journals opens with a slightly testy rebuttal to Clive James having described a previous volume as an unreliable history of the war. Whilst I'm sure it's true that, as Spike claims, he spent a lot of time getting his dates and facts right, Monty was erratic even by Spike's standards with those doubtless correct dates and facts speckled by jokes, comic asides, and absurdist sketches to the point of giving the impression of it having been edited by shoving everything loose into a carrier bag. Mussolini accordingly feels a bit more substantial, striking a fine balance between what happened and how stupid it seemed at the time.

Having read this one before, I recalled it as a harrowing volume concluding with a shell-shocked Spike gibbering away to himself in a secure facility; but my memory is off-kilter here. It's mostly light, or as light as one might reasonably expect under the circumstances, with shell-shock bleaching only the last twenty or so pages of humour.

As is probably obvious from the title, this volume records Spike's posting to Italy in 1943, and the eschewing of comic illustrations in favour of a higher, more thorough word count does well to capture the grinding misery and mundanity of warfare - in this instance, mostly waiting around in the pissing rain, terrible food, not enough sleep, and not much idea what the bigger picture looks like - contrasting wonderfully with the sublime experience of a few days leave in Amalfi, for one example.

Spike gives good account of how it looked from ground level, even expressing genuine sympathy for the occasional deceased German. As with anyone who ever had to get their hands dirty, he doesn't have much time for the bullshit of those higher up; and to hilarious effect when reporting a fire in the officers' mess, with the hated and officious Major Jenkins scrabbling to rescue his possessions from the conflagration, oblivious to a resentful Gunner throwing it all back on again.

There are a few later volumes of these war memoirs that I've never read, but this one seems to have been the best of those published at the time, reading as a proper autobiography beyond it being the work of someone more at home penning radio plays about hurlers of batter pudding. There was always a certain pathos to Spike's humour, even if it wasn't always obvious, and Mussolini is a powerful account in that respect.

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