Tuesday, 18 February 2020

The Underwater Menace


Nigel Robinson The Underwater Menace (1988)
I wasn't quite up to processing Voltaire at bedtime, so I toggled Candide and His Legion of Colourful Pals with this, a novelisation of a childrens' show from the sixties, praying it wouldn't be anything like so annoying as Tomb of Valdemar, my previous helping of time-travelling comfort food. It's a simple story which no-one likes, I reasoned, so there's less that can go wrong.

Amazingly, this actually turned out to be the case. The Underwater Menace was criticised for, amongst other things, its fish people - mutated humans effected by gluing stuff found in a box under the sink to the actors' faces - despite that the television serial was unfortunately wiped so only three people presently alive have actually seen it. Of course, the problem with shit effects is that they remind us we're watching a low budget kids show and not something really graet and proper and grown up like Babylon 5. I'm sure there will be persons who have criticised the writing on this one, but I can't see the point. This stuff was never meant to compete with A Midsummer Night's Dream, and I'm not sure The Underwater Menace actually has a story. I mean, take a look at the ingredients:

  • Atlantis survived submersion.
  • Primitive types who can be influenced by white person stood behind statue of tribal God speaking in a funny voice.
  • Companions captured and immediately subjected to either hard labour or medical experiments.
  • Mad scientist.

Seriously, if you still need a fucking synopsis of what happens, you've got something wrong with you; and pointing out that it's all a bit basic seems a little redundant, no?

The Underwater Menace is Edgar Rice Burroughs, more or less. It has a job to do, and the book at least does it well, because Nigel Robinson knows how to write and hasn't somehow misread the commission, assuming it to be a portentous voice-over for super duper audio dramas based on bingeworthy television shows. The narrative is stripped down, as you might expect, but is clearly quite happy to be a novel comprising words printed on pages; and it's written with just enough flair to keep it interesting, even to justify its existence over simply being a substitute for something else. It's corny as shit for sure, but I prefer to view it as a familiar song played well, taking my pleasure in how much this actually reminds me of one of Richard Shaver's weird fantasies, and the beautiful simplicity of a mad scientist who wants to blow up the world because he's mad, and that's exactly the sort of thing a mad scientist would do. Well duh

Sometimes that's all you need.

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