Monday 24 December 2018

Specialist Fabricator


Gary Mundy Specialist Fabricator (2018)
With the publication of Specialist Fabricator, I noticed a tiny nagging voice in the back of my head pointing out how it sure looked a whole lot like Philip Best had taken to squeezing books out of all his old power electronics pals, logically implying that we probably wouldn't have too much of a wait for Merzbow's debut novella; it's an amusing idea, but one which is somewhat undermined by the quality of material which has issued forth from Amphetamine Sulphate over the last twelve months or so. Thus far we've had writings from members of Sleaford Mods, Ceramic Hobs, Pure, Skullflower, and of course Best has himself been known to tickle the ivories from time to time. Gary Mundy is the man behind Kleistwahr, Ramleh, and others, and Specialist Fabricator is fucking exceptional. I still find this correlation of literary ability with having been in noisy bands slightly puzzling, so I assume it's significant that we're talking about parallel creative avenues pursued by members of Ramleh, Pure and so on, as opposed to members of Ned's Atomic Dustbin or Coldplay. The sort of music we're talking about has always been way outside the mainstream, more about mood than notes, and extreme moods bound up in the kind of reactions rarely provoked by more traditional forms of art; so what I'm trying to say is that maybe I shouldn't be so surprised that power electronics - for want of a better term - translates so well into the written word, because it was always about more than summer fun and getting laid.

To start at the beginning, Ramleh always seemed to have some dimension beyond pure shock, a scrabbling at something which couldn't really be expressed by any other means, with horror and revulsion as an element of the whole - just one of the colours - more than an end in itself. Specialist Fabricator somehow maps the same territory by describing everything around the edge of the hole, and with particular veracity due to being sort of autobiographical, at least from one angle. Except it reads a little like the work of someone who hadn't really considered writing a book, and isn't quite sure how to go about it, which seems to be acknowledged in the apparent unreliability of the narrator. It's the kind of experiment which could have fallen to pieces, being a ponderous narrative weaving a path around a number of traumatic incidents which may or may not have occurred as described, but which at the end are revealed as integral to a profoundly solid text which only appears otherwise due to the exploratory theme of the whole. He's trying to make some sense of it all too. As with certain bits of Ramleh, it's never quite clear as to whether the noise is a scream, tinnitus, or simply deafening silence.

Amphetamine Sulphate have been at it for about a year, and their output has been astonishing - prolific whilst nevertheless maintaining the highest standards, no fuck ups or typos, no also-rans so far as I see; and Specialist Fabricator may even be the best yet, at least up there with Stupid Baby in going places you may not necessarily want to go, and breaking your heart in the process.

All this and only just into the second year.

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