Monday, 4 December 2017


Cordwainer Smith Stardreamer (1971)
I'm a bit mystified as to why it should have taken me so long to stumble across this guy's work. I've known his name for some time, although I'm not sure why given his absence from the many science-fiction anthologies I've read over the years, right up until last month when his Alpha Ralpha Boulevard stamped itself firmly on my consciousness. He clearly had a reputation, fans, and an established body of highly distinctive work, so who knows? Maybe he was just a bit too weird to have ended up sandwiched between Isaac Asimov and Murray Leinster in the sort of collections I routinely read.

Cordwainer Smith turns out to have been the pen name of one Paul Anthony Myron Linebarger, a prolific author who employed various pseudonyms whilst working in adjacent genres. Significantly he was additionally a keen scholar of Chinese culture and tradition through it having played a role in his upbringing, which doubtless accounts for the form taken by his science-fiction, which has the feeling of traditional Buddhist parables in certain respects.

Stardreamer posthumously collects eight short stories, most taking place within the same peculiar mythology, a future universe governed by something called the Instrumentality of Mankind, which is described and developed with a rare literary flourish suggestive of Ursula LeGuin or more recent authors such as Iain M. Banks or China MiƩville. The narrative has a beautiful, poetic flow suggestive of something which feels substantially philosophical on some level, yet without being a bore about it.

This was a delight to read from start to finish. I wish someone had told me about this guy sooner.

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