Kurt Vonnegut, Jr. Player Piano (1952)
Having been blown away by Slaughterhouse Five all those years ago, I somehow picked up the idea of Player Piano having been Vonnegut's other masterpiece, presumably somehow reading this into the arguably lesser distinction of it simply having been his debut novel.
Player Piano seems to aspire to inclusion in the canon of dystopian classics beginning with Yevgeny Zamyatin's We and continuing through Brave New World and 1984. Themes of men and women trying to get by within a carnivorous and capitalist society, and to which Vonnegut would return over and over, are here expressed as a future America in which mechanisation has divided society into a near useless consumer underclass and the Engineers who tend to the machines. Existence has become a routine, predictable and ultimately soulless process much like the notes plucked out on a player piano. Our main protagonist, the guy who notices how everything is actually a bit shit, is one Paul Proteus, essentially an inversion of the Gernsbackian science hero, for this is very much a novel with one foot in Hugo's tradition whether it likes it or not.
The main problem seems to be that history has outstripped Vonnegut's predictions by coming up with something arguably worse than his vaguely Gernsbackian technological society. At one point our lads pit themselves against a somewhat basic sounding games computer called Charley Checkers, and I found it quite hard to keep from thinking of Mitchell and Webb's Cheesoid; which is ironically fitting because Vonnegut's point is that the mechanisation of society has so often been seen as an end in itself, regardless of either consequences or whether the technology is actually doing anything which is worth doing, which unfortunately leaves the novel resting upon a point which isn't particularly well made.
Stranger still, at least to me, is that Player Piano is very much a linear tale with a beginning, middle, and end, in stark contrast to the rest of what Vonnegut went on to write; and whilst the humour is there, it seems hesitant. You can really tell this is a first novel. It's not without flashes of brilliance here and there, and Vonnegut's political testimony is devastating where it fully comes into focus, but I'm afraid I was just kind of bored for most of the book.
Having been blown away by Slaughterhouse Five all those years ago, I somehow picked up the idea of Player Piano having been Vonnegut's other masterpiece, presumably somehow reading this into the arguably lesser distinction of it simply having been his debut novel.
Player Piano seems to aspire to inclusion in the canon of dystopian classics beginning with Yevgeny Zamyatin's We and continuing through Brave New World and 1984. Themes of men and women trying to get by within a carnivorous and capitalist society, and to which Vonnegut would return over and over, are here expressed as a future America in which mechanisation has divided society into a near useless consumer underclass and the Engineers who tend to the machines. Existence has become a routine, predictable and ultimately soulless process much like the notes plucked out on a player piano. Our main protagonist, the guy who notices how everything is actually a bit shit, is one Paul Proteus, essentially an inversion of the Gernsbackian science hero, for this is very much a novel with one foot in Hugo's tradition whether it likes it or not.
The main problem seems to be that history has outstripped Vonnegut's predictions by coming up with something arguably worse than his vaguely Gernsbackian technological society. At one point our lads pit themselves against a somewhat basic sounding games computer called Charley Checkers, and I found it quite hard to keep from thinking of Mitchell and Webb's Cheesoid; which is ironically fitting because Vonnegut's point is that the mechanisation of society has so often been seen as an end in itself, regardless of either consequences or whether the technology is actually doing anything which is worth doing, which unfortunately leaves the novel resting upon a point which isn't particularly well made.
Stranger still, at least to me, is that Player Piano is very much a linear tale with a beginning, middle, and end, in stark contrast to the rest of what Vonnegut went on to write; and whilst the humour is there, it seems hesitant. You can really tell this is a first novel. It's not without flashes of brilliance here and there, and Vonnegut's political testimony is devastating where it fully comes into focus, but I'm afraid I was just kind of bored for most of the book.
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