Tuesday, 6 June 2017

The Pirates of Zan


Murray Leinster The Pirates of Zan (1959)
Further works of Murray Leinster continue to surprise even as I excavate them from the shelves of second hand book stores - something of a rescue and preservation mission because, let's be honest here, if the great Murray Leinster revival was ever a likelihood, it would have happened by now. Lacking big ideas or fancy concepts at quite the same scale as those of better remembered authors, it's no great mystery why Leinster seems to have sunk into obscurity; but considering the fun he obviously had writing this stuff, it really seems a shame - not least because he actually could write, unlike some I might mention.

The Pirates of Zan stars a man who may as well be your archetypal Gernsbackian science-hero, a talented electronics engineer suffering an ignominious life against the backdrop of a variety of backwards cultures; but the logic of the narrative and the peculiar twists and turns it follows as though trying to throw the reader off the scent, remind me a lot of A.E. van Vogt - which is naturally a recommendation.

On Walden, to be sure, the level of civilisation was so high that most people took to psychiatric treatments so they could stand it, and the neurotics vastly outnumbered the more normal folk. But on Walden, electronics was only a way to make a living, like piracy, and there was no more fun to be had out of being civilised.

Our man takes flight to a feudal world, engaging in swashbuckling of a kind which involves princesses and his own pirate ancestry, and the whole enterprise flips around and over with such frequency as to feel a little like farce, or at least satire; and yet whilst the prose might occasionally smirk at its own wry turn of phrase, there's never quite any giggling, neither a nod nor a wink to give the game away. Assuming The Pirates of Zan to be at least partially satirical, I'm still not entirely sure what it's about, if it's about any one thing. Leinster is clearly taking the piss out of economics, capitalism, and the society in which he was living, but the focus remains vague and playful, which renders the novel a thankfully decent, if occasionally puzzling read.

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