Showing posts with label William Tenn. Show all posts
Showing posts with label William Tenn. Show all posts

Monday, 11 May 2026

August Derleth (editor) - Worlds of Tomorrow (1953)



It feels like it's been a long time since I read one of these collections and I warmed to this one quite quickly, enjoying the spirit of the enterprise even where a couple of the stories were underwhelming for one reason or another. The spirit of the enterprise was, in this instance, visions of tomorrow, I suppose - which was doomed to failure given science-fiction's somewhat shaky predictive track record; but at the heart of that spirit was the notion of there being a future as something exciting or at least vastly different to the present. I feel we've lost sight of this, so it's nice to be reminded.

Anyway, aside from a few clunkers reliant on twist endings which have since become massive clichés - and may even have been clichés in 1953 for all I know - the collection is mostly great, and actively astonishing in a couple of cases. Jogging straight past the first Earthman on Mars ending up in a Martian zoo, Frank Belknap Long's The Great Cold reminds us of the genre's roots in - or at least its passage through - weird fiction, taking us to a far future where super-evolved barnacles rule the Earth, which the author somehow manages to write as genuinely weird and upsetting rather than just plain screwy, additionally using his beautifully vivid prose to say something beyond weird innit! Somehow, there's a lesson for us even in this world of super-evolved barnacles.


It was an utterly malicious dream, evoked by enforced idleness, the product of immense power seeking to sate itself in trivial cruelties.


The Fires Within by Arthur C. Clarke is similarly fantastic, with weird physics performing the heavy lifting for what is essentially a conversation between a couple of eggheads at a research centre. Fritz Leiber, Mack Reynolds, and Simak collaborator, Carl Jacobi all turn in respectable pieces, but the finest are possibly the last two. The Martian and the Moron may be the best thing I've read by Theodore Sturgeon, and it could be significant that it contains no traditional elements of science-fiction, or at least, the detail upon which the story spins remains ambiguous, leaving us with a radio ham who may or may not have picked up an alien transmission, and his son's relationship with a person I won't describe here because, despite having read the story, I still can't work out what or who she's supposed to be. The Martian and the Moron puts the reader to work, but it feels worth the effort. Finally, William Tenn's Null-P serves up an unfortunately familiar future history of the United States with lashings of sardonic wit. Despite what I wrote in the first paragraph, this is one case of a prediction having been fired in the right direction even if he doesn't quite hit the bullseye. Tenn's future America is founded on a fear of book learnin' with stupidity reclassified as a mark of character. Tenn fails because, as an optimist, he didn't account for basic greed as a motivating factor, with lies and telling people what they want to hear as a means to this end; but it's a wonderful piece of writing, alternately chilling and funny without resorting to slapstick.

Tuesday, 27 January 2015

The Science Fiction Weight-Loss Book


Isaac Asimov, George R.R. Martin & Martin H. Greenberg (editors)
The Science Fiction Weight-Loss Book (1983)

I think it was our birthday - that is my wife and myself having both been born on the same day - and we were celebrating at J. Arthur's with the rest of her family. J. Arthur's is a fussy, slightly pretentious San Antonio restaurant of middling standard, more properly known as J. Alexander's but I tend to think of the place as J. Arthur's in reference to the rhyming slang. I opened the present from Bess's mother and it was this book. I experienced a moment of confusion, mistaking the title for an actual weight loss guide and thinking that my mother-in-law was perhaps suggesting I could stand to cut down on the pies, which seemed a little rich given the average girth of everyone else sat around the table. Closer inspection, or more properly actual inspection, revealed it to be an anthology of science-fiction shorts with fatness as the unifying theme. Oh okay, I thought, getting it at last. Bess's mother tends to be quite unpredictable with her prezzies, but she always chooses well so I looked forward to reading the thing.

Unfortunately the theme is followed with varying degrees of fidelity and success from one story to the next, with Stephen King's Quitters, Inc. at the most tenuous extreme with its brief few paragraphs about how packing in the fags can give you a bit of an appetite. Being what might be termed a chubby chaser in so much as I personally prefer the fuller figure or even the considerably fuller figure to the no more lettuce for me, I'm stuffed types, I was hoping for some decent, possibly Swiftian science-fiction examinations of fat as an issue - body image, social conditioning, metabolism, cultural significance, dietary myths, eating disorders and all that sort of thing. Unfortunately, of the stories which actually use those few extra pounds as anything other than plot texture, mostly it's just freakish sedentary fatties failing to stick to a diet written with faint traces of sneering. I expected better because Asimov of all people has ever been - or at least seemed like - champion of the awkward fucker who doesn't fit in, so it's disappointing to find that he too reduces everything to the less cake, more exercise diet.

Oh well.

It's not a bad collection. Vance Aandahl's Sylvester's Revenge and William Tenn's The Malted Milk Monster are decent, and Orson Scott Card's Fat Farm is actually pretty great despite it being by Orson Scott Card, a man who famously knows what's best for the rest of us due to certain unpleasant religious convictions. There's nothing truly terrible here - excepting possibly Stephen King's gratuitously unpleasant offering - but it's all a bit underwhelming. Contrary to the claims of Asimov's introduction, The Science Fiction Weight-Loss Book didn't particularly inspire me to eat less either, so J. Arthur's overly-rich and needlessly salty menu still has the lead on that score.

So there's me with a spunk garnish on my salad next time I'm in the place...