Michael Moorcock (editor)
The Best SF Stories from New Worlds 6 (1970)
In his introduction, Moorcock states that he prefers to simply call this fiction, while the back cover qualifies the SF as referring to either science or speculative fiction. I've never liked speculative fiction because as a term it makes me think of Margaret Attwood and Jeanette Winterson sneering about how space travel is such a boy thing, but I like science fiction as something incorporating all the weird shit which doesn't quite fit anywhere else - which is what we have here.
New Worlds was never scared of printing weird shit, and I'd say some of the best stuff from the magazine was also the weirdest, at least if we're to take a sciencey man smoking his pipe as he heads for Mars in a rocket with his robot best friend to be baseline normal. Surprisingly, whilst there's some reasonably strange stuff here, the collection feels sober by the standards of the well from which it is drawn, and is subsequently not so great as it might have been - as though someone might even be reigning it in a little, although I suspect this impression to be only a pattern emergent from possibly unfair comparisons with the magazine.
In Reason's Ear by Hilary Bailey - who sadly passed just months ago - stood out for me, as did Moorcock's The Delhi Division, a story which demonstrates how his own weirdly non-linear narratives were always so much more readable than those of the many who seem so obviously inspired by him, I guess some of whom also feature in this collection. Langdon Jones' The Eye of the Lens has an immensely promising start with page after page of dry, dreamlike descriptions of imagined machines, evolving into something even stranger, then goes on for a bit and eventually overstays its welcome, which is a shame. There's also J.G. Ballard's The Killing Ground which reinforces my hypothesis that Ballard simply isn't for me; and then there are the rest, and they're mostly pretty darn great - certainly nothing you would want to skip - but I somehow felt my brains should have been dripping from my ears by the end of this lot, which wasn't the case; so I guess that's a recommendation, but just not one entailing any significant quota of fists pumping the air.
The Best SF Stories from New Worlds 6 (1970)
In his introduction, Moorcock states that he prefers to simply call this fiction, while the back cover qualifies the SF as referring to either science or speculative fiction. I've never liked speculative fiction because as a term it makes me think of Margaret Attwood and Jeanette Winterson sneering about how space travel is such a boy thing, but I like science fiction as something incorporating all the weird shit which doesn't quite fit anywhere else - which is what we have here.
New Worlds was never scared of printing weird shit, and I'd say some of the best stuff from the magazine was also the weirdest, at least if we're to take a sciencey man smoking his pipe as he heads for Mars in a rocket with his robot best friend to be baseline normal. Surprisingly, whilst there's some reasonably strange stuff here, the collection feels sober by the standards of the well from which it is drawn, and is subsequently not so great as it might have been - as though someone might even be reigning it in a little, although I suspect this impression to be only a pattern emergent from possibly unfair comparisons with the magazine.
In Reason's Ear by Hilary Bailey - who sadly passed just months ago - stood out for me, as did Moorcock's The Delhi Division, a story which demonstrates how his own weirdly non-linear narratives were always so much more readable than those of the many who seem so obviously inspired by him, I guess some of whom also feature in this collection. Langdon Jones' The Eye of the Lens has an immensely promising start with page after page of dry, dreamlike descriptions of imagined machines, evolving into something even stranger, then goes on for a bit and eventually overstays its welcome, which is a shame. There's also J.G. Ballard's The Killing Ground which reinforces my hypothesis that Ballard simply isn't for me; and then there are the rest, and they're mostly pretty darn great - certainly nothing you would want to skip - but I somehow felt my brains should have been dripping from my ears by the end of this lot, which wasn't the case; so I guess that's a recommendation, but just not one entailing any significant quota of fists pumping the air.
