Showing posts with label David Stuart Davies. Show all posts
Showing posts with label David Stuart Davies. Show all posts

Sunday, 22 March 2015

The Silent Thunder Caper


Mark Hodder The Silent Thunder Caper (2014)
Just to get it out of the way, I had some initial doubts about this one. Aside from my being pretty much a stranger to detective fiction in general, the somewhat cartoony cover just didn't inspire confidence, which I realise is probably a facile observation but it would be stupid to deny that cover art has no influence on my initial impression of a novel. Happily, holding a physical copy in my hand dispels all doubts, it being a pleasantly chunky doorstop of a hardback, beautifully put together and reminding me of the Dean & Son hardback children's editions of Robinson Crusoe, Treasure Island and other classics my grandfather used to buy for me as a child in a sadly premature effort to introduce me to culture; and the cover works very nicely out here in the physical universe, and in a way which it doesn't on a screen for some peculiar reason.

As for detective fiction and the possibility of me being out of my depth, I dipped a toe into an anthology of Sexton Blake material some months back, most of which I enjoyed, so this isn't entirely unfamiliar territory, and not least because it's written by Mark Hodder - he who once so cruelly poured admittedly eloquent and descriptive scorn upon my overachieving sphincter back during our college days, despite my defence of it having been a bad pint, or something.

Anyway, down to business: Sexton Blake as some readers may already know is the star of a long running detective serial of over a hundred's years vintage, now under the wing of Obverse Books. Roughly speaking, he's the Sherlock Holmes who isn't afraid of a punch-up, but the more you read, the more he begins to feel very much his own distinct character. Mark Hodder, having been a fan of Blake for a long time and curator of Blakiana, the dedicated website, was a great choice as author to the first of what will hopefully be a long-running series. Even aside from the sort of attention to detail he brings to the regular cast of Blake, Tinker, Mrs. Bardell and others, his Burton & Swinburne novels have already shown him to be a thorough and expressive hand when it comes to period pieces of this kind. The Silent Thunder Caper strikes a fine balance, perfectly evoking the atmosphere of a time in which even the humble telephone was relatively new-fangled, achieving nostalgic effect without parody, and somehow avoiding any suggestion of affectation - the sort of thing you get when a nineteen-year old reads himself some Lovecraft and decides to have a go. Most surprising of all - at least to me - is how happily The Silent Thunder Caper sits in two places at once, constituting both solid Blake and a great Mark Hodder novel with the sort of political convolutions, elaborate plotting, and earthy humour which have served the Burton & Swinburne books so well. As ever, Hodder delivers an accomplished and thoroughly classy narrative, and anyone who has ever enjoyed his superior pedigree steampunk will find a lot to love here.

If not for the sake of comparison but nevertheless serving as such, this hardback also reproduces G.H. Teed's The Wireless-Telephone Clue from an issue of Union Jack first printed in 1922, an earlier Blake story serving as introduction for some of the characters of The Silent Thunder Caper. Teed seems to have been generally acknowledged as one of the best Sexton Blake authors, and his tale sits quite comfortable alongside Mark Hodder's continuation as both complement and contrast with a narrative which could probably have been condensed to a couple of pages in terms of incident, yet remains engrossing for a hundred or more.

I'm pleased and genuinely surprised by how much I enjoyed this.

Wednesday, 3 September 2014

The Casebook of Sexton Blake


David Stuart Davies (editor) The Casebook of Sexton Blake (2009)

I've never been particularly drawn to detective fiction, so this collection is some way outside my normal fare; but Obverse Books have acquired the rights to publish new Sexton Blake material, and Mark Hodder has written one, and I'm probably going to be writing one - or at least attempting to do so - so here I am, doing my homework like a good boy.

Sexton Blake was, according to the usual internet sources, either the poor man's Sherlock Holmes or the Sherlock Holmes who wasn't afraid of a bit of a scrap every once in a while, depending on where you look. More helpfully, he was a character who emerged from the pulp magazines of the early twentieth century as written by numerous authors, and who most recently appeared with name changed to Victor Drago in the short-lived Tornado comic back in 1979; at least up until the publication of Mark Hodder's The Silent Thunder Caper this year. The parallels with Holmes are difficult to miss, but Blake - whose character remains both consistent and distinct throughout the writing of the six different authors collected here - has sufficient appeal of his own to explain his having remained generally popular for more than a century. I've not read any of Conan Doyle's Holmes since my school days back in the late 1600s, and having recently read and strongly disliked The Lost World I'm disinclined to renew my acquaintance with Arthur's works, but based on what little I can recall, Blake seems an altogether more fallible, likeable, and plausible character. He detects, but not to the point of absurdity or to the detriment of the story. He misses details here and there, and so there's no the angle at which this goldfish bowl is placed clearly indicates that the gentleman who purchased the bus ticket was wearing women's knickers, most likely a pair stolen from his wife's sister; and I doubt he could be portrayed on the telly by anyone quite so annoying as Cucumber.

I realise that with this collection being what it is, it's unlikely to include any of the real stinkers, but all the same, these seven tales testify to Blake as considerably more engaging than I expected him to be. As Mark Hodder points out in the introduction, each provides a genuinely fascinating snapshot of the times, specifically England at the turn of the century. The writing is generally lively and not lacking in gentle humour. As tales churned out to a series of deadlines, it seems they were at least churned out with a generous spirit, being well written above what one might anticipate considering their supposedly inauspicious origin. Additionally, there's a sense of experimentation here, of wishing to avoid the bed-wettingly generic or gung ho which one might, perhaps wrongly, associate with detective fiction; and so Blake and Tinker play for England in The Football Mystery, or turn the other cheek and let a criminal escape, having decided that the poor fucker has already suffered enough in The Black Eagle. My only criticism is that I generally found these stories to be longer than seemed necessary - particularly The Slave Market - which is either down to the word count required by the original publishers or my being unaccustomed to the genre.

I may have groaned at the size of this thing when it first came in the mail, but I'm nevertheless glad to have read it.