K.H. Scheer & Walter Ernstling Perry Rhodan: Enterprise Stardust (1961)
I remember seeing a shitload of these in WHSmith when I was a kid, and yet only recently have I come to realise that Perry Rhodan is the main character of the series rather than its author. I hadn't bothered with any of them because I generally prefer to start a series at the beginning for obvious reasons, but it turns out that this was the first one, so here we go.
Actually, it's a translation of the first two, Perry Rhodan having been a weekly digest first published in Germany - each week a new novella amounting to sixty or seventy pages of text. A minimum of research has revealed that Perry endured for decades - still keeping to that weekly schedule - was massively popular, and seems to have given birth to the story arc, from what I can tell. By story arc I mean self-contained tales which form part of a larger narrative within an even broader evolving continuity, as distinct from three or four novels with the same setting or the sort of stuff Edgar Rice Burroughs used to churn out. Maybe there have been earlier story arcs, but I can't think of any right now.
As with both Doctor Who and 2000AD comic, the pressure of a weekly schedule compelled the creators to a certain degree of homage, borrowing, or whatever you would prefer to call it, and the legend accordingly has it that Perry Rhodan has been caught up in more or less every conceivable science-fiction scenario at one point or another, and so we begin the saga with first contact.
These books have a reputation for being somewhat pulpy. This one is more uneven than anything, albeit uneven with a certain pulpy sensibility in evidence here and there. The story is quite slow, even laborious as it tells of Rhodan's historic moon landing in detail which clearly foreshadows the Apollo missions and reads very much like the work of Arthur C. Clarke. Our guys encounter the scout ship of an advanced alien race stranded on the moon, at which point traces of pulp become discernable. One of the aliens is a female called Thora, summoning unfortunately intrusive images of Songs of Praise - at least for me; and we learn that the marooned Arkonides have become a degenerate race, meaning they've reached the peak of evolutionary perfection but now spend all day sat on their fat asses watching telly. This is literally why they're stranded on the moon - because they can't be bothered. Rhodan returns to Earth with a couple of the livelier Arkonides, obliging all of those nuclear superpowers of the sixties to unite and cooperate, having at last realised that Earth is just one planet at the edge of a much larger galactic civilisation. This last element of the story actually seems to have drawn inspiration from accounts of the space brothers as related by Adamski and all of those other flying saucer abductees of the fifties.
So it isn't great literature, but neither is it the worst thing I've ever read, and it's easy to see why Perry Rhodan was popular. The writing is a little uneven, and the narrative occasionally treads water - presumably stretching things out just enough to make up a page count - and the characters creak a little, but it was written - or at least translated - by people with some ability, and doesn't suffer from any of the ineptitude I've seen perpetrated by certain more recent authors. There's a sort of screwy enthusiasm here, that of a fairly stupid story told well, and perhaps Perry deserves to be remembered with a little more dignity than has generally been the case.
I remember seeing a shitload of these in WHSmith when I was a kid, and yet only recently have I come to realise that Perry Rhodan is the main character of the series rather than its author. I hadn't bothered with any of them because I generally prefer to start a series at the beginning for obvious reasons, but it turns out that this was the first one, so here we go.
Actually, it's a translation of the first two, Perry Rhodan having been a weekly digest first published in Germany - each week a new novella amounting to sixty or seventy pages of text. A minimum of research has revealed that Perry endured for decades - still keeping to that weekly schedule - was massively popular, and seems to have given birth to the story arc, from what I can tell. By story arc I mean self-contained tales which form part of a larger narrative within an even broader evolving continuity, as distinct from three or four novels with the same setting or the sort of stuff Edgar Rice Burroughs used to churn out. Maybe there have been earlier story arcs, but I can't think of any right now.
As with both Doctor Who and 2000AD comic, the pressure of a weekly schedule compelled the creators to a certain degree of homage, borrowing, or whatever you would prefer to call it, and the legend accordingly has it that Perry Rhodan has been caught up in more or less every conceivable science-fiction scenario at one point or another, and so we begin the saga with first contact.
These books have a reputation for being somewhat pulpy. This one is more uneven than anything, albeit uneven with a certain pulpy sensibility in evidence here and there. The story is quite slow, even laborious as it tells of Rhodan's historic moon landing in detail which clearly foreshadows the Apollo missions and reads very much like the work of Arthur C. Clarke. Our guys encounter the scout ship of an advanced alien race stranded on the moon, at which point traces of pulp become discernable. One of the aliens is a female called Thora, summoning unfortunately intrusive images of Songs of Praise - at least for me; and we learn that the marooned Arkonides have become a degenerate race, meaning they've reached the peak of evolutionary perfection but now spend all day sat on their fat asses watching telly. This is literally why they're stranded on the moon - because they can't be bothered. Rhodan returns to Earth with a couple of the livelier Arkonides, obliging all of those nuclear superpowers of the sixties to unite and cooperate, having at last realised that Earth is just one planet at the edge of a much larger galactic civilisation. This last element of the story actually seems to have drawn inspiration from accounts of the space brothers as related by Adamski and all of those other flying saucer abductees of the fifties.
So it isn't great literature, but neither is it the worst thing I've ever read, and it's easy to see why Perry Rhodan was popular. The writing is a little uneven, and the narrative occasionally treads water - presumably stretching things out just enough to make up a page count - and the characters creak a little, but it was written - or at least translated - by people with some ability, and doesn't suffer from any of the ineptitude I've seen perpetrated by certain more recent authors. There's a sort of screwy enthusiasm here, that of a fairly stupid story told well, and perhaps Perry deserves to be remembered with a little more dignity than has generally been the case.
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